Kyu
6th Kyu (White Belt)
Junomichi: Explaining the significance of bowing, donning the Judogi, and how to tie the belt. Ushiro and Yoko Ukemi (falling techniques). Introduction to Kumi Kata (gripping methods). Shizentai Migi (natural stance right) and Shizentai, 3 Tachi Waza (standing techniques), Hidari Shizentai (natural stance left). Basic control in Ne Waza (ground techniques) using the first principle of Gesa and Yoko Gatame (side control).
Jujitsu: Principles of Ude Ate Waza (arm striking techniques) and Ashi Ute Waza (leg striking techniques).
5th Kyu (Yellow Belt)
Junomichi: Uchi Komi (repetitive practice) of 3 Tachi Waza and Ne Waza techniques. As Uke (receiver), reclaiming control from Tori (attacker). Application of techniques in motion. Introduction to the first Randori (free practice). Yoko Ushiro (side and back falling techniques) and Mae Ukemi (front falling technique).
Jujitsu: Establishing connections between Atemi Waza (striking techniques) and Tachi Waza (standing techniques). First experience in Randori.
4th Kyu (Orange Belt)
Junomichi: Basics of Shime (strangling techniques) and Kansetsu waza (joint locking techniques). Randori (free practice) with an emphasis on hara (center) awareness. Linking Ne Waza techniques with Tachi Waza techniques. First Shiaï (competitive practice).
Jujitsu: Establishing connections between Atemi Waza and Tachi Waza, and an introduction to Kansetsu waza. Study of Kime No kata (forms of immobilization techniques).
3rd Kyu (Green Belt)
Junomichi: Uchi Komi in all directions (Tachi and Ne Waza techniques). In-depth study of the three primary controls in Ne Waza. Ashi Waza (leg techniques) and Goshi waza (hip techniques) in motion. Randori practiced in both Tachi and Ne Waza. Nage No kata (forms of throwing techniques), first experience as judges during Randori and Shiaï (competitive practice).
Jujitsu: Further integration of Atemi Waza Tachi Waza, and Kansetsu waza. Study of Kime No kata.
2nd Kyu (Blue Belt)
Junomichi: Advanced study of Kansetsu Waza and Shime Waza. Uchi Komi practice, personal technical study, and Randori practice. Mastery of Katame No kata (forms of immobilization and holding techniques), Kansetsu, and Shime waza. A personal exploration of No Opposition and Hara mobility. Nage No kata (Gochi Waza and Achi waza).
Jujitsu: Uchi Komi in Atemi Waza, comprehensive Atemi Waza techniques. Controlling partners through connections between Atemi Waza, Tachi waza, and ground control. Study of Kime No kata.
1st Kyu (Brown Belt)
Junomichi: Personal Uchi Komi (repetitive practice). In-depth study of Tachi Waza, Ne waza, Kansetsu waza, and Shime waza techniques from the Gokyo. Development of personal awareness and research in Hara Mobility. Proficiency in the entire Nage no Kata. Introduction to Katame No Kata and Kime No Kata.
Jujitsu: Personal Uchi Komi with Atemi Waza. Creating personal connections from Atemi waza to Tachi waza and technical control. Emphasis on partner awareness, responsibility, and self-preservation. Study of Kime No kata, and introduction to Nage No Kata and Katame No Kata.
Dan
Here’s the translation of the text into English:
Gakusei (First Dan)
“Gakusei” corresponds to the initial level of value. It means “born into study.” The gakusei is one who, just initiated into the basic learning of Junomichi, begins to pursue independent research. Depending less and less on their teacher, they are called upon to meet the demands of practice themselves. For them, the study of Junomichi finally begins.
Deshi (Second Dan)
The deshi is the younger brother of more experienced practitioners. Their understanding becomes clearer and more comprehensive: they glimpse the various tasks involved in practice. Capable of teaching those of lower rank, they are occasionally called upon to substitute for their teacher and to present themselves for the Junomichi teaching examination.
Hon Deshi (Third Dan)
The hon deshi is a confirmed practitioner with extensive knowledge of different exercises. They may assist renshi and shihan in the classes or seminars they lead. In these situations, the hon deshi particularly demonstrates their qualities as Uke: they have sufficient control over their body to integrate the directions of all techniques. Their value becomes evident.
Renshi (Fouth Dan)
Renshi is the level of value where concern for gestures and technical landmarks gives way to unity, to a certain form of the body. This confidence allows for more precise work on principles through the various exercises offered by Junomichi. Renshi is the stage in a practitioner’s evolution where the ability to transmit through teaching becomes evident. In Japanese, renshi literally means a warrior refined and polished through exercise.
Hon Renshi (Fifth Dan)
The hon renshi is a recognized expert, committed to intensifying their practice of non-opposition, evasion, decision-making, control, and mobility. One of the instruments of this research is the koshiki no kata. The hon renshi is a rock upon which more experienced practitioners lean to advance in their own Junomichi journey.
Kyôshi (Sixth Dan)
A Junomichi practitioner is recognized as kyôshi once they have freed themselves from the technical appearances of their work. From then on, they focus on finding a personal form for their actions and teaching. Kyôshi is a decisive stage in a Junomichi practitioner’s journey. This stage is marked by occasionally wearing a red and white striped belt during ceremonies.
Hon Kyôshi (Seventh Dan)
Going even further in affirming the principles of Junomichi, hon kyôshi is invited to lead exceptional classes or seminars in dojos other than their own, showcasing the uniqueness of their form and the singular value of their Junomichi.
Hanshi (Eigth Dan)
Having refined and purified their practice, having integrated the principles into their body, hanshi has the ability to teach teachers. They are entrusted with leading important seminars and often take on the technical direction of practice. They are now seen by all as a model, an inspiration for all practitioners.
Shihan (Ninth Dan)
Shihan enters a form of inwardness in practice, characterized by spontaneity and intuition. They bring Junomichi into the present, open its paths, and arrange practice for themselves and others.
Hontô no Shihan (Tenth Dan)
Hontô no shihan speaks, thinks, acts, and constantly creates from within Junomichi, without distance or delay. Through them, practice unfolds according to its own requirements, indifferent to contingencies. Junomichi experienced hontô no shihan Igor Correa: a personality, an individual through whom Junomichi fully existed and expressed itself. As hontô no shihan, Igor Correa dedicated the last years of his life to developing and establishing all elements of Junomichi.